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The oral tradition has always played an important role in African American literature, ranging from works such as Zora Neale Hurston's Their Eyes Were Watching God to Toni Morrison's Beloved. These and countless other novels affirm the power of sonance and sound in the African American literary canon. Considering the wide swath of work in this powerful lineage -- in addition to its shared heritage with performance -- Mae G. Henderson deploys her trope of "speaking in tongues" to theorize the preeminence of voice and narration in black women's literary performance through her reconstruction of a fundamentally spiritual practice as a critical concept for reading black women's writing dialogically and intertextually.
The first half of the book is devoted to influential works of fiction, as Henderson offers a series of spirited, attentive readings of works by Zora Neale Hurston, Alice Walker, Sherley Anne Williams, Toni Morrison, Gayl Jones, and Nella Larsen. The second half shifts gears to consider the world of female African American performance, most notably in the figures of Josephine Baker and the video dancer. Drawing on the trope of "dancing diaspora," Henderson proposes a model of theorizing based on "performing testimony" and "critical witnessing." Throughout the book, Henderson draws on a history of black women not only in the Pentecostal Holiness Church, but also within the traditions of classical, Christian, African, and black diasporic spirituality and performance. Ultimately, Speaking in Tongues and Dancing Diaspora provides a deeply felt reflection on race and gender and their effects within the discourses of speaker/listener and audience/performer.
- Sales Rank: #1118541 in Books
- Published on: 2014-06-04
- Original language: English
- Number of items: 1
- Dimensions: 6.30" h x 1.30" w x 9.30" l, .0 pounds
- Binding: Hardcover
- 336 pages
Review
"Mae Henderson's always luminous, often foundational work is a gift to all who study women's writing and African American literature. Fusing beautiful theorizing with insightful close readings, Henderson illuminates Josephine Baker's performances and hip-hop videos as brilliantly as she does the fictions of Hurston, Morrison, and Walker." --Cheryl A. Wall, author of Worrying the Line: Black Women Writers, Lineage, and Literary Tradition
"Mae Henderson's brilliant collection of essays offers a multiplicity of gifts to the attentive reader: a gift of tongues, and along with them, an attentive ear that listens for the soul music of Black women's discourse; a gift of witnessing and interpreting both the voices and the silences; a gift of theorizing what Lacan called the 'vocative drive,' the demand, desire, and need to speak and to be heard; an infectious gift that, once received, will keep on giving insight into the literary tapestry it so masterfully unfolds." --W. J. T. Mitchell, author of Seeing Through Race
"With fluid clarity and fresh verve, Mae G. Henderson reflects on twentieth-century Black women's work as writers and performers. From the iconic dancing body of Josephine Baker's performances to the aesthetically re-membered body of Toni Morrison's fiction, Henderson theorizes the motion and the language constructing epistemologies of Black women's modern production. Her supple and dexterous attention to formal movements and expressive discourses enables a lively mapping of both known and underexplored regions of Black women's contributions to textual and visual art and to the constitution of contemporary feminist thinking." --Thadious M. Davis, author of Southscapes: Geographies of Race, Region, and Literature
"Speaking in Tongues and Dancing Diaspora underscores Mae Henderson's status as one of our most astute critical minds. Whether illuminating texts by Black women writers, theorizing the role of black feminist theorists, or exploring the multiple dimensions and contexts of Josephine Baker's performance, Henderson exhibits a 'knowing so deep' from which all of her readers will benefit. This project constitutes a major contribution to both literary and cultural studies, one that is sure to resonate for years to come." --Farah Jasmine Griffin, author of Harlem Nocturne: Women Artists and Progressive Politics During World War II
"Speaking in Tongues is an important volume as a deeper literary-historical view into
African-American women's writing; in doing so, it equally presents the evolution of
black feminist theory and criticism." -- Cultural Sociology
About the Author
Mae G. Henderson is Professor of English at the University of North Carolina at Chapel Hill. Among her most recent publications are the edited volumes Black Queer Studies: A Critical Anthology and Borders, Boundaries, and Frames: Essays in Cultural Criticism and Cultural Studies.
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